Being a band for 20 years won’t just change you. It changes how you see the world, and your place in it. For long-running Toronto punk mainstays The Flatliners, a new record meant a new opportunity to examine the legacy they’ve inherited, and the one they’ll eventually pass on. New Ruin is a shot of adrenaline from a band striking out at outdated institutions and ideologies via pointed lyrics and their heaviest songs to date, attacking each with a ferocity that will surprise even longtime fans. From the monstrously discordant hits that open the album through the de facto thesis statement of “Heirloom,” it’s clear that The Flatliners are angry in a way we’ve never heard before. At the same time, they’ve never been more in control. Produced by Cresswell along with the rest of the band, songs like "Performative Hours” and “Recoil” boil with livewire post-hardcore energy while “Souvenir” and “Big Strum” offer a more tightly coiled aggression that hints at the band’s anthemic punk past. Recorded at Toronto’s Noble Street Studios and Genesis Sound with longtime friend and engineer Matt Snell, the album sounds both open and immediate, the cumulative effect of two decades performing together. Brought to life by what the band calls a “dream” team, with mixer Anton DeLost and mastering courtesy of the Blasting Room legend Jason Livermore, New Ruin deftly combines the pop ambition of Inviting Light with an aggression the band has only hinted at before, giving in to their grarliest tendencies. While the sense of tribulation hangs heavy throughout New Ruin’s 11 tracks; amidst the rubble of the modern hellscape, the band isn’t without hope. Album closer “Under A Dying Sun” offers its own version of solace and salvation, bringing the crashing album to a close with a thoughtful grandiosity that hints at some light at the end of the tunnel. This is due to the fact that, despite the darkness, The Flatliners are having fun for the first time in a long time. Producing themselves, recording with friends, and playing music together after almost 600 days apart - their longest stretch since forming in 2002 - New Ruin is also the sound of a band rediscovering the joy of making something meaningful together. .